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Writing scripts and writing novels are two completely different things.
But Keep it Moving focuses on how thinking like a screenwriter can help
your pacing, keep your writing active, get you to show instead of tell and
focus on the essence of the story.
The class will include:
Finding the essence – coming up with your logline
Story structure – 3 act structure, the beat sheet, storyboarding
Show, don't tell
Pacing
Active vs passive writing |
September 6, 2010 through September 19, 2010 |
This workshop will be conducted via a Yahoo! email loop. Email invitations will be sent 48 hours prior to the beginning of the workshop. |
Just register for the workshop and complete the payment process via PayPal. The cost is $10.00 for FFnP members and $20.00 for non-FFnP members. Please note payment is due at the time of registration.
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Click here to Register
for $20 (Non-FF&P Member Rate.)
JOIN TODAY to take this workshop for only $10! If you are a current member of FF&P, please log into the website before registering for this workshop.
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Cindy Carroll joined RWA in 1992 and started out writing novels but turned
to scripts when an idea for one of her favorite television shows wouldn’t
leave her alone. That first attempt, and her second teleplay for the same
show, garnered her honorable mention in the Writer’s Digest 76th Annual
Writing Competition in the screenplay category. She graduated from Hal
Croasmun’s screenwriting ProSeries intensive in June of 2008. Her
interview with David Rambo, writer/producer for CSI appeared in the summer
special edition of The Rewrit, the newsletter for Scriptscene, Romance
Writers of America’s screenwriting chapter. Currently working on the
rewrite of her second feature, Cindy is also developing two new television
pilots. |
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